Surprisingly, the demise of non-profit music and art venue Monster Island (which was as weirdly charming as it name would imply) drew a write-up in this past weekend’s New York Times. Like its brethren Market Hotel and Silent Barn (both of which also shuttered their doors this past year) Monster Island stood in stark, defiant contrast to the commercially-oriented music club model. It helped to foster some of the city’s most acclaimed and exciting bands in recent years, before falling prey to the incessant steamroller of gentrification:
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The concert was particularly poignant for the hundred or so people who stood listening intently in the bright light off the East River in Brooklyn because it was the last time they would be able to gather for a block party at Monster Island, a collection of performance spaces and studios in a faded commercial building covered with murals near the Williamsburg waterfront.