This article contains spoilers for the 1977 film SUSPIRIA.
Preferably while comfortably dosed up on your favourite psychedelic substance.
I’ve been an ardent fan of the shadowy occult strangeness found in late 70s-early 80s Italian horror flicks for a good chunk of this incarnation, for reasons I used to find hard to fathom.
I’ve often felt too that there was some concrete textual core shared between a lot of these movies, specifically the films that came in the wake of the briefly popular “Giallo” subgenre. Giallo, a genre where POV killers adorned with black leather gloves go on fetishised killing sprees as clueless detectives scratch their heads in an artistically blood-spattered wake. In which the camera was the killer.
These post-Giallos, mainly of Argento’s own making, but also the more ethereal Zombie films of Lucio Fulci, i.e. Gates of Hell (aka City of The Living Dead) and The Beyond (aka Seven Doors of Death), seem to share some dark strand of DNA between them.… Read the rest