“Think of Me as You Will” is a short documentary/interview with John Duncan. Duncan is a performance artist notoriously known for his project “Blind Date.” According to Wikipedia, “Blind Date, involving intercourse with a female corpse followed by a vasectomy, both conducted in private, was presented as an audio-only event to an audience in a darkened warehouse, a demonstration of how men are conditioned to turn emotional suffering into rage.” In this short film, Duncan talks about his process and reactions to Blind Date, stating that his chief concern was making himself suffer.
Tag Archives | performance art
Andrea Germanos writes at Common Dreams:
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An artist and activist in Chile has “freed” university students from their student debt by burning $500 million dollars in debt notes.
The action was the work of visual artist Francisco “Papas Fritas” Tapia, who took the debt notes during a student takeover of the University del Mar, burned them to ashes, and put them on display as an exhibit.
“Authorities began shutting down” the university “last year for financial irregularities and encouraged students to seek out alternative universities,” the Santiago Times reported, but “the university is still collecting on its student loans.” It is slated to close at the end of this year.
Chile has been hit since 2011 by waves of student protests that have denounced the Pinochet-era education policies that have enabled ‘profiteering’ and privatization at the nation’s schools, and have prompted demands for education to be a public good, not a commodity.
Movies and music are filled with sight and sound, but when will humanity master the expressive and exploratory power of the other senses? The Believer on an ill-fated pre-Surrealist attempt to transport a theater full of people to Japan via a series of perfumes projected by fan:
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In the fall of 1902, when he was around thirty-five years old, the papers announced that Mr. Sadakichi Hartmann, the eccentric art critic, would present a short performance entitled “A Trip to Japan in Sixteen Minutes.” The piece was described as a “melody in odors.”
The turn of the twentieth century saw a flurry of sense experimentation. The color organ was patented in 1895, an instrument with colored panels that lit up and changed in time to music. A few years later, one of the first electric organs, the Telharmonium, would have its debut in a specially built concert hall in New York.
The perfume concert was the featured event on a bill of a casual Sunday pop, held at the enormous entertainment complex known as the New York Theatre.
Via the New Statesman, Laurie Penny speaks with members of Pussy Riot who are non-jailed, but on the run from the law, about the meaning of their subversion:
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When we meet in a secret location in central London, they make it clear that this interview is on condition of anonymity. The Russian punk-feminist protest group, two of whose members are currently travelling the world, raising support for their band-mates in prison, are wanted by their government. It will be illegal to read or share this article in Russia.
Since the trials, a smorgasbord of new legislation, informally known as the Pussy Riot laws, have been put into place in Russia to clamp down on the group and anyone who might try to imitate their art-protests. You can’t cover your face in public. Distribution and discussion of Pussy Riot’s protests is strictly forbidden. People have been prosecuted for making t-shirts with their image.
L&M Arts presents The Bartzabel Working, a performance by filmmaker and artist Brian Butler, on December 4th, 2012. Based on a ceremonial evocation of the spirit of Mars, first written and performed in London in 1910 by the famed British occultist Aleister Crowley, the ritual later became part of Los Angeles history in 1946 when Jack Parsons conducted his own version of this rite with the intention of placing a Martial curse on a pre-scientology L. Ron Hubbard.