You may remember our interview with Peter Bebergal about his newest book, Season of the Witch: How the Occult Saved Rock and Roll. Well, someone who goes by the name of “posthuman” submitted this latest interview with Bebergal over at Decibel Magazine.
via Decibel Magazine:
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Any astute follower of metal in the past five years has likely noticed a huge uptick in the number of bands with a proto-70s sound and occult themes: The Devil’s Blood, Sabbath Assembly, Blood Ceremony and The Oath. A few of these bands have been on Decibel’s cover: In Solitude and Ghost B.C. (twice).
While this approach is undoubtedly popular and may play itself out there hasn’t been much of an exploration of why this approach to metal has taken hold outside of simple trendiness. Author Peter Bebergal recently published Season Of The Witch: How The Occult Saved Rock And Roll. The book argues that the uptick in occult 70s metal is part of a larger cultural embrace of the esoteric rooted in the profound cultural shifts of the late 20th century.