Does an artist perceive or invent his creation? How does imagination relate to freedom, beauty and nature?
Paul Guyer talks to four by three about the relationship between aesthetics and morality in the work of Immanuel Kant, Hegel’s rejection thereof and Schopenhauer’s positive conception of the aesthetic experience.
four by three: A substantial part of your work as a philosopher has been in the field of aesthetics. What motivated you to start working on this discipline of philosophy?
Paul Guyer: In hindsight, three things. First, I started taking classes with Stanley Cavell as a freshman at Harvard (his large humanities class, some of the material from which turned up forty years later in his last book, Cities of Words). Cavell did not teach any conventional aesthetics in that course, or at any time during my undergraduate and graduate years at Harvard, but his title was ‘Professor of Aesthetics and General Theory of Value,’ and that may have both piqued my interest and licensed the subject of aesthetics for me.… Read the rest