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The Psychedelic 90’s—Modern Myth Making and the Music Press

As an obsessive music weirdo, you start to notice some odd patterns as you get older and contemplate the way that most people contextualize music in their lives. I’m not sure how much research has been done on this, but as far as I can tell, in most cases, whatever stuff someone happened to get down to during their formative developmental ages of say, 14-24, apparently permanently burns itself into their psyche and leaves an indelible mark on their opinion as to what constitutes “good shit” for the rest of their lives. This is the sort of secret psychology you’ll never read about in text books but I’m sure sketchy uptight rich dudes talk about behind closed doors 24/7. The one thing I can say about pursuing psychology in college was that I quite quickly picked up on the fact that the real people who understand how to bend the human psyche work at PR firms and press agencies, not universities.… Read the rest

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Mellon Collie and the Infinite Crapfest—Things I Never Hear Anyone Say About the Music Business

One of the strangest things about watching lefty hippie types getting all fired up about wealth inequality is that I never see them even acknowledge how much worse everything is in the arts, which a lot of them are directly involved with. Don’t want to bite the hand that feeds (or pretends like it might feed you one day). Let’s face it, you’re not a real artist until rich people say you are and sadly, it’s probably better now than it used to be say, fifty years ago. Doesn’t matter what art form you’re involved with, it’s all fairly impossible to make ends meet unless you’re either born or fuck your way into the privilege factory. Having a trust fund helps. And that’s the sad thing no one’s saying about this stuff, the worse income disparity gets in society as a whole, the even more psychotically worse it gets in the arts.… Read the rest

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