What else can you say about possibly the single most fucked up summertime confection ever?
Tag Archives | Pop Culture
Chris Pash via Business Insider:
Scientists have designed a kill switch in genetically modified organisms (GMOs) which can target specific DNA sequences for destruction without disrupting the growth of the plant.
Rithika Merchant (1986) deals with creating mosaics of myths that question received histories that are available to us throughout culture. An inherent feminism exists in her decoration undermining the minimalism of modernity that views a woman just as a muse.
In 2008 she graduated with a Bachelors in Fine Arts from Parsons the New School for Design in New York. She has studied painting and conceptual practice at the Hellenic International Studies In The Arts in Paros, Greece. In 2008 she was a resident at the Convento Sao Francisco Mertola in Mertola, Portugal.
YUN-WOO CHOI: ENDLESS, SEAMLESS
May 2 – May 31, 2015
Gallery Hours: Wednesday – Saturday: 2pm – 7pm
By Adam Parfrey
A few decades ago we spent a good deal of time at Anton LaVey’s “black house” in San Francisco’s Richmond District.
On the walls and on the shelves were a lot of items to look at and consider. One photograph, seen in the kitchen, was a framed and signed photograph of a hunching woman overlapped by a depraved cloaked ghost. The photo was called “Fear,” and it was the work of William Mortensen (1897 – 1965).
Anton spoke of Mortensen’s influence in guiding him to understand the mechanics of “Lesser Magic,” or what affects people’s reaction to what they see and absorb.
Mortensen’s photographs like “Fear” are fascinating, but for years I resisted Mortensen’s reductive ideas regarding human behavior. It all seemed too reptilian to me. But there came the time when researcher Larry Lytle approached me about publishing a monograph on William Mortensen.… Read the rest
The sun’s been coming up early. (Ok. And I’ve been “sleeping in.”) Regardless, I do feel the unrelenting compulsion to race in to work, to beat its rise, like a vampire trying to make his casket before turning to ash. Hopefully, mine will be full of coffee grounds. I need a buzz.
I’m finished greasing Tony’s palms back in the Citizen’s Cab office, and I head out to the lot.
Aside: Yeah, I chanced a $5 bribe on Tony for an airport this morning. I don’t actually expect to see one come my way from dispatch. But I gotta check-in now and then, if only to keep Tony on his toes.
I’m in new ‘ol 137 and I’m immediately overcome with a strong wave of fruity… Well, just strong, fruity. I look around hard, but I cannot find the offending Christmas Tree air freshener, however hard I try.
Morbid Anatomy Museum Opens Third Exhibition Featuring Rarely Seen Artifacts
Related to Early Stage Magic and the Occult
The Morbid Anatomy Museum launches a new exhibition: Do The Spirits Return?: From Dark Arts to Sleight of Hand in Early 20th Century Stage Magic
Brooklyn, NY — On April 11, the Morbid Anatomy Museum launched its third exhibition devoted to the surprising relationships between 19th and early 20th century stage magic and the religion of Spiritualism, the pleasures of horror, the empowerment of women and the role of the devil, as exemplified by the life and work of Howard Thurston (1869-1936). The exhibition features stunning and rarely exhibited original stage props, posters, photographs, artworks, letters, books, and even the fabled “Luxor Mummy,” all drawn from the collection of Brooklyn native Rory Feldman. The show was curated by Morbid Anatomy Museum creative director Joanna Ebenstein and programmer in residence Shannon Taggart.
Doktor Johannes Faust’s Magia naturalis et innaturalis : oder, Dreifacher Höllenzwang, letztes Testament and Siegelkunst, nach einer kostbar ausgestattenten Handschrift in der Herzogl. Bibliothek zu Koburg vollständig und wortgetreu hrsg. in fünf Abtheilungen..
Doctor Johannes Faust’s Magia naturalis et innaturalis: or, Triple hell compulsion Last Testament and Seal Art, after a preciously ausgestatt ducks handwriting in the Ducal. Library Coburg ed fully and faithfully. .. in five divisions
Fletch – MK Ultra
“Jel Ena is a Serbian born multi-media artist based in LA. Her darkly erotic visualizations are enchanting, projecting characters with feminine mystique of epic proportions. Jel Ena’s illustrations capture complex emotions and the mythology of desire and color. Her ability to capture flesh and light is remarkable, drawing the viewer always further into her dark, sensual dreamscape.”