Tag Archives | Pop Culture

You Can’t Really Dust For Vomit

SFO

Thursday

5am:
I slept in.

I’m just now shuffling up all zombie-like to the bullet-proof glass window to slide my five “tip” thru the metal tray to Sammy in exchange for 137’s key and medallion. I’m still feeling the generic brand nighttime cough syrup that I’ve been abusing to put myself down at my prescribed 8pm bedtime. My head is fuzzy still.

I passed 137, my regular Prius, en route to the window and noted that her windows are all down. Bad omen. Are we talking vomit?

5:05am:
I’m done with the window and cordial niceties with Sammy, the new-ish office worker that Citizen’s Cab poached from Arrow. Sammy and I have finally gotten a groove on it seems. But he’s a little out of it this morning, complaining about some serious bruising due to a boating accident over unspecified body parts that he promises I do not want to see.

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NYMZA Aeros – Charles Dellschau and The Secret Airships of the 1850’s

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Charles A.A. Dellschau (1830 – 1923), untitled watercolor on paper c. 1898 – 1900 approx. 8 x 10 inches.

 

NYMZA Aeros – Charles Dellschau and The Secret Airships of the 1850’s

by Jimmy Ward & Pete Navarro
Posted on 15 May 2015 by Olav Phillips

Have you heard of Schultz’ Hydrowhir Auto, also known as the “Cripel Wagon”? If not, perhaps you have heard or read somewhere about Peter Mennis’ “Aero Goosey”? How about Schoetler’s “Aero Dora”, which was built in 1858 and was destroyed in a fire which consumed the town of Columbia, California that same year? Chances are you never heard or read about any of the above or the many other “Aeros’, or aircraft that were designed and actually built and flown
by members of the Sonora Aero Club around the middle of the last century in California.

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RITHIKA MERCHANT- Mosaics of Myths

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RITHIKA MERCHANT

Rithika Merchant (1986) deals with creating mosaics of myths that question received histories that are available to us throughout culture. An inherent feminism exists in her decoration undermining the minimalism of modernity that views a woman just as a muse.

In 2008 she graduated with a Bachelors in Fine Arts from Parsons the New School for Design in New York. She has studied painting and conceptual practice at the Hellenic International Studies In The Arts in Paros, Greece. In 2008 she was a resident at the Convento Sao Francisco Mertola in Mertola, Portugal.

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William Mortensen – The Antichrist of American Photography in the House of the Devil

By Adam Parfrey

A few decades ago we spent a good deal of time at Anton LaVey’s “black house” in San Francisco’s Richmond District.

On the walls and on the shelves were a lot of items to look at and consider. One photograph, seen in the kitchen, was a framed and signed photograph of a hunching woman overlapped by a depraved cloaked ghost. The photo was called “Fear,” and it was the work of  William Mortensen (1897 – 1965).

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William Mortensen “Fear” c. 1930’s (also titled “Obsession”) Manipulted Photograph

Anton spoke of Mortensen’s influence in guiding him to understand the mechanics of “Lesser Magic,” or what affects people’s reaction to what they see and absorb.

Mortensen’s photographs like “Fear” are fascinating, but for years I resisted Mortensen’s reductive ideas regarding human behavior. It all seemed too reptilian to me. But there came the time when researcher Larry Lytle approached me about publishing a monograph on William Mortensen.… Read the rest

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The Scent of a Cabbie

Bluury Streets of SF

Tuesday

5:05am:
The sun’s been coming up early. (Ok. And I’ve been “sleeping in.”) Regardless, I do feel the unrelenting compulsion to race in to work, to beat its rise, like a vampire trying to make his casket before turning to ash. Hopefully, mine will be full of coffee grounds. I need a buzz.

5:30am:
I’m finished greasing Tony’s palms back in the Citizen’s Cab office, and I head out to the lot.

Aside: Yeah, I chanced a $5 bribe on Tony for an airport this morning. I don’t actually expect to see one come my way from dispatch. But I gotta check-in now and then, if only to keep Tony on his toes.

5:31am:
I’m in new ‘ol 137 and I’m immediately overcome with a strong wave of fruity… Well, just strong, fruity. I look around hard, but I cannot find the offending Christmas Tree air freshener, however hard I try.

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MORBID ANATOMY MUSEUM: Do The Spirits Return? From Dark Arts to Sleight of Hand

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Morbid Anatomy Museum Opens Third Exhibition Featuring Rarely Seen Artifacts

Related to Early Stage Magic and the Occult

The Morbid Anatomy Museum launches a new exhibition: Do The Spirits Return?: From Dark Arts to Sleight of Hand in Early 20th Century Stage Magic

Brooklyn, NY — On April 11, the Morbid Anatomy Museum launched its third exhibition devoted to the surprising relationships between 19th and early 20th century stage magic and the religion of Spiritualism, the pleasures of horror, the empowerment of women and the role of the devil, as exemplified by the life and work of Howard Thurston (1869-1936). The exhibition features stunning and rarely exhibited original stage props, posters, photographs, artworks, letters, books, and even the fabled “Luxor Mummy,” all drawn from the collection of Brooklyn native Rory Feldman. The show was curated by Morbid Anatomy Museum creative director Joanna Ebenstein and programmer in residence Shannon Taggart.

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A Disinformation Compendium — Doktor Johannes Faust’s Magia naturalis

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Doktor Johannes Faust’s Magia naturalis et innaturalis : oder, Dreifacher Höllenzwang, letztes Testament and Siegelkunst, nach einer kostbar ausgestattenten Handschrift in der Herzogl. Bibliothek zu Koburg vollständig und wortgetreu hrsg. in fünf Abtheilungen..

Translation:

Doctor Johannes Faust’s Magia naturalis et innaturalis: or, Triple hell compulsion Last Testament and Seal Art, after a preciously ausgestatt ducks handwriting in the Ducal. Library Coburg ed fully and faithfully. .. in five divisions

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