Just a reminder that there are roughly 20 autographed copies of The Galactic Dialogue left and when they’re gone, they’re gone. Suggested donation of $11, $21 extra for overseas shipping unfortunately.
Tag Archives | Psilocybin
“Reading the words gleamed [sic] from this hypersigil of a book will tear down the veil and hand you a pair of 4th dimensional binoculars.”
Good times, and truthfully the only reason I’m comparing it to The Invisibles in the first place has to do with me accidentally putting it out on the 20th anniversary of its release and all. Well, and the whole Occult “alien” thing. Here’s the part where I try to sell you on it with words:
It could be said that I didn’t choose the Occult, the Occult chose me. It’s a long story and you’ll have to read the book, but let’s just say that some sort of fifth dimensional weirdo showed up in my room one day and broke a primal thought sequence deep within me.… Read the rest
I’m sort of late to this party, but I’ve just recently become aware of the writings of Adam Gorightly, mainly because he contacted me on Facebook (friend me) and sent me some books. Anyway, I’m going to try and get him in for an interview regarding his most recent work regarding the history of Discordianism, but in perusing his website I found this gem of a rant. Really ties in with my book, The Galactic Dialogue: Occult Initiations which is finally coming out here on September 23rd. Fans of Cosmic Trigger and the Invisibles rejoice. Anywho, I’m sure most Disinfonauts are probably familiar with this material, but it’s always fun to revisit.
It was not long after my own encounter with strange aerial phenomenon that I began to see a link between UFOs to such seemingly disparate topics as psychedelics, psychotronics, and ritual magick. As the years pass, the Extraterrestrial Hypothesis (ETH) makes far less sense to the observer than other theories ranging from mind control conspiracies or — on the other hand — fissures in the space-time continuum which provide a portal of entry for ghostly apparitions that can be saucer-shaped or even take on the form of Moth-Men, Chupacabras or the Blessed Virgin Mary.… Read the rest
[disinfo ed.'s note: the following is an excerpt from Timothy Leary: The Harvard Years: Early Writings on LSD and Psilocybin with Richard Alpert, Huston Smith, Ralph Metzner, and others by James Penner]
Timothy Leary’s “How to Change Behavior” was presented at the International Congress of Applied Psychology in Copenhagen in August of 1961, and was also reprinted in David Solomon’s LSD: The Consciousness-Expanding Drug (1964). Leary had organized the plenary session of the International Congress; it included several distinguished speakers, including the novelist Aldous Huxley, Frank Barron of U.C. Berkeley, Richard Alpert and Henry A. Murray of Harvard, and himself. Each speaker was also an advocate of consciousness-expanding drugs. Psilocybin—synthesized magic mushrooms—was the drug of choice in 1961.
“How to Change Behavior” was Leary’s first full-length article after his famous virginal experience with Mexican mushrooms in Cuernavaca in August of 1960 and as such, this article represents his first major work on psychedelics.… Read the rest
Modern masters like Alan Moore have often said that “art is magick because art transforms consciousness.” Although there are an increasing amount of psychedelic bands and visual artists working in the medium, none that I’m currently aware of take to their craft with the specific intent of potentially inducing spiritual epiphany in the viewer/listener, which is what the Occult films of Chapel Supremesus (myself and Dean Swanson) strive for. It’s a path I personally started treading at around age 19 by throwing cut-up, mind-fuck mixes together with a $100 sampler and a cheap cassette 4 track. At the time I was years away from my Occult awakening, but crafting bedroom auditory sorcery solely for the purpose of warping my own internal microverse struck me as the most natural way of communing with the great beyond that I could think of.… Read the rest
I must give it to this guy, I know from experience that tripping in public is a brave move. I can’t say I have experienced nude modeling though.
… Read the rest
The great thing about drugs is that they’re an instant cure for boredom. And I’ve been pretty bored lately. Rather than do something constructive, I decided to entertain myself by picking up a half ounce of shrooms and doing some nude modeling at an art studio. I figured it would be an interesting story to tell at the bar afterward with some friends. Maybe have a few drinks, a few laughs, and forget about the whole thing the next day.
It’s this kind of impulsive naivete’ that resulted in one of the more horrific and sexually confusing episodes of my life.
I’m not entirely sure how legal this whole thing is, so I wont get into specifics, but what I can tell you is that the studio I decided on was actually a large theatre in a decent area of town that doubled as both a visual arts center as well as a ritzy cinema.
Via Ultraculture, Jason Louv on how magic mushrooms temporarily quiet portions of the brain that normally constrain us:
… Read the rest
According to two new studies released this week, psilocybin mushrooms apparently work by decreasing activity in key areas of the brain, rather than increasing it. Blood flow decreases to the medical prefrontal cortex (mPFC) and posterior cingulate cortex (PCC). Overactivity in the mPFC is associated with depression, one reason why psilocybin can be associated with antidepressant effects; the PCC is often associated with consciousness and identity.
Researchers suggest that what may actually be happening with psychedelics is decreased blood flow to brain areas that constrain our sensory experience of the world and our sense of identity—allowing the brain to relax its grip on ordering reality and open up to a broader spectrum.
Professor David Nutt, from the Department of Medicine at Imperial College London, said: “We found that psilocybin actually caused activity to decrease in areas that… constrain our experience of the world and keep it orderly.
Initially conceived as merely “cool shit for stoned people to look at while we play live” visitors (SUPERVISITORS) ended up becoming a legit 23 minute Occult film unto itself. It just sort of happened that way. Largely created using a technologically updated version of the cut up technique popularized by Brion Gysin and William S. Burroughs back in the day, the movie takes various footage depicting mystical states of consciousness from the 70’s and re-assembles them with a lot of the sigil collage art I’ve been honing in recent years. For those in the know, it has long been theorized that using the cut up technique potentially allows the artist to tap into what’s often referred to as “the third mind” or to see what the art “is really saying” and that’s what’s so odd, transcendent, and baffling about the picture.… Read the rest
Open Culture revisits the influence of Hunter S. Thompson on the art of Ralph Steadman.
… Read the rest
Though the two men only occasionally collaborated over their long friendship, the work of Kentucky-born “gonzo” journalist Hunter S. Thompson and that of British illustrator Ralph Steadman enjoy a cultural symbiosis: Thompson’s style of writing puts you in the mind of Steadman’s style of drawing, and vice versa even more so. At this point, I have a hard time imagining any suitable visual accompaniment to the simultaneously clear- and wild-eyed sensibility of Thompsonian prose — “I hate to advocate drugs, alcohol, violence, or insanity to anyone,” he famously said, “but they’ve always worked for me” — other than the bold strokes and violent blotches with which Steadman renders visions of highly controlled madness. The clip above, from Alex Gibney’s documentary Gonzo: The Life and Work of Dr. Hunter S. Thompson, explores the origins of their aesthetic and psychological partnership.
A lot of the problem with viewing the universe as being comprised of matter comes with the idea that it’s devoid of conscious experience somehow. More and more, little by little, we’re starting to wake up to the insane limitations of this philosophy. Renders people humorless if you ask me. Nothing adds up, which creates profound existential desperation resonating throughout the collective psi-grid of humanity. There is no explanation for why anything happens, so we instead focus on how things go down in obsessive detail. Not to knock this approach, as it creates order by combining with the mystical chaos of internal infinity. Too much mystic psychic sizzle and you’ll get torn to shreds, but when you look at only shared perceptual experience, you’re editing out the vast majority of reality. It’s all dark matter through those eyes. Endless blacked out pages on a declassified UFO report.
What I’ve found is that by shifting models of reality interpretation just slightly from conceiving the world as being made of matter to one comprised from conscious experience, coherent macro concepts of conjoined narratives learning lessons throughout cycles of shifting lifetimes starts to take shape (which I talk about all the time on Facebook; friend me).… Read the rest