What does the ascendance of the sociopath as a pop culture figure mean? The New Inquiry on our ever-growing fascination with “disconnected” characters:
My greatest regret is that I’m not a sociopath. I suspect I’m not alone. I have written before that we live in the age of awkwardness, a strong case could be made that we live in the age of the sociopath. They are dominant figures on television, for example, and within essentially every television genre. Cartoon shows have been fascinated by sociopathic fathers (with varying degrees of sanity) ever since the writers of The Simpsons realized that Homer was a better central character than Bart. On the other end of the spectrum, the flagships of high-brow cable drama have almost all been sociopaths of varying stripes: the mafioso Tony Soprano of The Sopranos, the gangsters Stringer Bell and Marlo of The Wire, the seductive imposter Don Draper of Mad Men, and even the serial-killer title character of Dexter.