Tag Archives | radicalism

Get Apocalyptic: Why Radical is the New Normal

Angissoq1350collapse0003Robert Jensen writes at YES! Magazine:

Feeling anxious about life in a broken-down society on a stressed-out planet? That’s hardly surprising: Life as we know it is almost over. While the dominant culture encourages dysfunctional denial—pop a pill, go shopping, find your bliss—there’s a more sensible approach: Accept the anxiety, embrace the deeper anguish—and then get apocalyptic.

We are staring down multiple cascading ecological crises, struggling with political and economic institutions that are unable even to acknowledge, let alone cope with, the threats to the human family and the larger living world. We are intensifying an assault on the ecosystems in which we live, undermining the ability of that living world to sustain a large-scale human presence into the future. When all the world darkens, looking on the bright side is not a virtue but a sign of irrationality.

In these circumstances, anxiety is rational and anguish is healthy, signs not of weakness but of courage.

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The Right to Think Dangerous Thoughts

Pic: Felipe Micaroni Lalle

Gabe Rottman writes at the ACLU’s Blog of Rights:

Earlier this month, the White House blogged about its commitment to empower “members of the public to protect themselves against the full range of online threats, including online radicalization to violence,” and announced the creation of a new interagency working group for that purpose. The working group will coordinate the government’s efforts and develop plans—alongside private industry—to “implement an Internet safety approach to address online extremism.”

The White House initiative raises a basic question: Is it appropriate for the government (in cahoots with private industry) to repurpose programs that, for instance, urge consumers to install anti-virus software and protect their credit card information into something that warns them against “bad” ideas?

My colleagues Mike German and Dena Sher have written at length about how “radicalization” models assume, falsely, that you can predict future violence from present sympathies for “radical” or “extreme” beliefs.

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Operation Mindcrime: The Selling Of Noam Chomsky

from Stevertigo at Wikimedia Commons

[disinfo ed.'s note: this original essay was first published by disinformation on November 15, 2001. Some links may have expired.]

Author’s note: This interview was originally published in REVelation magazine (#12, Summer, 1995): 30-38. This piece captures a transitional period in world politics that exerts a powerful influence over today’s Culture Jammers and anti-globalization activists. Post-NAFTA Americans have became aware of the maquiladora; the Zapatistas seized cyberspace; Jose Ramos-Horta has since been honored with the Nobel Peace Prize; Australia has stepped back from Paul Keating’s mid-1990s drive into South-east Asia; Noam Chomsky continues to lecture, teach, and write. The article title, of course, refers to Queensryche’s progressive rock album Operation: Mindcrime (1988), one of the finest portrayals of how ‘radical’ drones can unwittingly become an integral part of the Reaganite entertainment-as-oppression system that they are (supposedly) fighting against.

18 January 1995 was an extraordinary day for Sydney.… Read the rest

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Anarchism and Steampunk

Aerial HouseExploring the radical roots of a popular science fiction genre. Via Airships, Anarchists, & Anachronisms:

Steampunk began as a radical satirical form of fiction, but today it encompasses much more. What precisely is steampunk? As the editors of Steampunk Magazine explain, steampunk is “a vibrant culture of DIY crafters, writers, artists, and other creative types, each with their own slightly different answer to that question.” By its diverse nature, steampunk resists definition. Furthermore, in the ever evolving nature of steampunk, “as each new iteration of the idea be­comes more ambitious, the mutations are delightfully limitless and unpredictable.”

This definition seems in line with Rachel A. Bowser and Brian Croxall’s statement that, “Steampunk is more about instability than any other single characteristic. It resists fixedness by unsettling the categories from which it cribs.” Yet, the authors do provide a definition for those looking for the quintessential steampunk. They write:

That being said, one common element arguably shared by all steampunk texts, objects, or performances is the one on which this journal is predicated: the invocation of Victorianism.

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