From art group Anti-Banality, the first segment of their new feature-length film Police Mortality. It was created by splicing together countless blockbuster action and cop movies, and tells the story lying underneath — a cop’s sudden existential crisis leads to the nation’s police turning on each other:

Police Mortality is Anti-Banality’s latest wish-fulfillment symptomology of, as one character hallucinates it, “a precisely formulated national conspiracy of police genocide.” It is a paranoid-schizophrenic blitz against police subjectivity, skimmed off nearly 200 movies by that other social superego–Hollywood.

In this opening scene, the immaculate suicide of one LAPD officer begins to reveal the contradictions of police existence to a force which, finding itself multiply irreconcilable with itself, resorts to terminal civil war, eradicating the prevailing organization of life in the process.

Artist Jonathan McIntosh presents 30 of the best and most notable mashup videos from before the age of YouTube:

Political remixes can be traced back to the 1920s, when Soviet filmmakers like Esfir Shub recut American Hollywood films to give them a sharper class commentary. During World War II, Charles A. Ridley created (and gave away for free) the first viral political mashup by reediting footage of Nazi soldiers to make them appear to dance and sing to the tune “The Lambeth Walk.” When VCRs became more widely accessible in the early 1980s, UK artists calling themselves video scratchers appropriated television footage to create biting critiques of pop culture media and Margaret Thatcher’s economic policies [and] recut television commercials and music videos to provide a feminist critique.

PeanutweeterFrom Angela Watercutte on WIRED’s Underwire:

Everyone has at least one funny person they follow on Twitter just for the lulz, but sometimes the things they say would be even more laughable if they weren’t constantly spewing from the same avatar.

Peanutweeter changes that. The @Peanutweeter Tumblr blog and Twitter feed fulfill a very simple idea: Matching somewhat random Twitter posts with less-random Peanuts comics. The results are hilarious.

“The site arose from the concept that the amusing and sometimes outrageous tweets out there would be even funnier or sometimes darker if they came from someone that everyone could identify with,” site creator T. Jason Agnello told by e-mail.

The last thing anyone wants to do is give Sarah Palin more media press. More attention isn’t going to make her go away, however. Brave New Films is inviting you to help edit her new film by adding comments she forgot mention.

There’s nothing funny about Palin or her influence on our democracy, but together we can use satire to make an impact and undermine her aura of authenticity and altruism. Satire is an effective tool to take the conservative opposition’s perceived strengths and use it against them, which is what we’re doing here with Palin’s movie.

Submit what you think Palin has left out at and you could win her bobblehead.

Sheen Superhero QuoteWell, we discovered this week Charlie Sheen does have a superpower: getting a million Twitter followers in 25 hours. If you’d like to take a break from the serious news of the week, very funny post from Laura Hudson on Comics Alliance:

Earlier this week, we decided that the only way to deal with the exploding celebrity Death Star that is Charlie Sheen was to take his spectacularly hubristic comments and put them in the mouths of superheroes, with the help of Chris Haley and Curt Franklin of the webcomic Let’s Be Friends Again.

You, the readers, told us that the six measly pieces of original art where your favorite Marvel and DC characters reiterate the philosophical jewels of the only celebrity whose veins pump pure tiger blood was simply not enough, and we have heard your demands.

Update: Actually Sheen may be trying to use his new-found superpower for good, the Hollywood Reporter is claiming he’s going to Haiti with Sean Penn.

ETGreat remixing and animation job by the filmmaker here, no wonder why the little guy always wanted to “phone home” … cool find from Cyriaque Lamar on

Robert Blankenheim and Derek Johnson Productions have created a trailer for ET-X: Extinction, an unnecessarily gritty and violent sequel to Steven Spielberg’s family-friendly blockbuster.

In this preview, grown-up footage of Henry Thomas and Drew Barrymore is spliced with generic disaster flick scenes (starring an authoritative Morgan Freeman, natch) and new animation of the red-eyed, cobra-necked extraterrestrials:

Klingon Christmas CarolFirst a Klingon opera, now this. Klingon (the language) sure has a lot of traction for one invented for a Star Trek movie in the ’80s. And this is also a non-Christianized version of the Dickens classic, because as I learned from the story, the Klingons killed their gods. Douglas Belkin reports in the Wall Street Journal:

The arc of “A Klingon Christmas Carol” follows the familiar Dickens script: An old miser is visited on a hallowed night by three ghosts who shepherd him through a voyage of self-discovery. The narrative has been rejiggered to match the Klingon world view.

For starters, since there is neither a messiah nor a celebration of his birth on the Klingon planet of Kronos, the action is pegged to the Klingon Feast of the Long Night. Carols and trees are replaced with drinking, fighting and mating rituals. And because Klingons are more concerned with bravery than kindness, the main character’s quest is for courage.

Artist Michael Paulus has skeletal versions he created of 22 cartoon icons on his website: Writes Michael Paulus: Animation was the format of choice for children’s television in the 1960s, a decade…