Tag Archives | Remix
Writes Michael Paulus:
Animation was the format of choice for children’s television in the 1960s, a decade in which children’s programming became almost entirely animated. Growing up in that period, I tended to take for granted the distortions and strange bodies of these entities.These Icons are usually grotesquely distorted from the human form from which they derive.
I decided to take a select few of these popular characters and render their skeletal systems as I imagine they might resemble if one truly had eye sockets half the size of its head, or fingerless-hands, or feet comprising 60% of its body mass.
These characters have become conventions that are set, defined, and well-known personas in our culture. Being that they are so commonplace and accepted as existing I thought I would dissect them like science does to all living objects — trying to come to an understanding as to their origins and true physiological make up.
Recently, I checked in with my pal Hector Hernandez to see what the Art Czar was up to … In a recent post, the ‘Czar had an abbreviated conversation with subversive pop artist Dave MacDowell:
Art Czar: Tell me about “Duck and Cover”
MacDowell: “Duck and Cover” was painted for a group show at Crewest Gallery in LA. I wanted an urban graffiti vibe to fit with the gallery, so I constructed the spray can out of cardboard and glued it to the canvas. The theme comments on human nature’s natural ability to lift up heros, only to knock them down. How anyone who has an original thought or idea outside of the status quo, usually gets silenced and sacrificed. People in power fear the power of the people.
I know scenes have been floating around on the internet, but in my opinion the climax from Empire is the best use of this treatment:
Ever wonder what it would be like to explain The Matrix to The Dude? Morpheus gives it his best.
(Beware of the dark side.)… Read the rest
While the readers — and writers — on this site are no strangers to a good time, even the heartiest of partiers can find themselves stranded in a rut caused by lack of novelty. We’ve all known the soul-crushing boredom that results from having the same conversation with the same people in the same place again. It can transform one’s imbibing from recreational to medicinal. We can all use a shake-up every now and then, and it often seems that the best way forward can be found by reaching back.
The next time your good times are more boring than blaring, why not introduce an Exquisite Corpse?
Exquisite corpse (also known as exquisite cadaver or rotating corpse) is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule (e.g. “The adjective noun adverb verb the adjective noun”) or by being allowed to see the end of what the previous person contributed.
At Rhode Island College, a freshman copied and pasted from a Web site’s frequently asked questions page about homelessness — and did not think he needed to credit a source in his assignment because the page did not include author information.
At DePaul University, the tip-off to one student’s copying was the purple shade of several paragraphs he had lifted from the Web; when confronted by a writing tutor his professor had sent him to, he was not defensive — he just wanted to know how to change purple text to black.
And at the University of Maryland, a student reprimanded for copying from Wikipedia in a paper on the Great Depression said he thought its entries — unsigned and collectively written — did not need to be credited since they counted, essentially, as common knowledge.
A mashup of two films about South Africa: one you’ll surely recognize, the other is World Cup Soccer in Africa, distributed by Disinformation.