via The Verge:
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Our geography is dissolving into the digital.
Science fiction author William Gibson’s work, from cyberpunk classic Neuromancer to his more recent, less overtly futuristic novels, is usually more concerned with smart cultural analysis than plotting the mechanics of new technology. Gibson has given us a lens to see everything from high fashion to virtual reality, coining the term “cyberspace” to refer to what would soon become a ubiquitous computer network in the real world (“And they won’t let me forget it,” he quipped after being introduced with that factoid in the TV show Wild Palms.)
But time travel is one of the most mechanical genres around — not necessarily in scientific rationale, but in the rigorous attempt to fit together pieces of the past, present, and future without leaving loose ends or, at worst, unresolved paradoxes. And Gibson’s latest novel, The Peripheral, fits at least a few of its tropes.