In composing his novel Dracula, Bram Stoker drew heavily upon an earlier, more seedy story in which a young woman succumbs to the attractions of an undead countess. Victorian Gothic reviews J. Sheridan Le Fanu’s Carmilla:
First published in 1897, Bram Stoker’s Dracula was destined to become the universally-acknowledged masterwork of vampire fiction, but it was not, by any means, the first of its kind. Stokers genius consisted not in having invented the modern vampire monster, but in the imaginative way he synthesized and expanded upon the ideas that prior authors had already been exploring.
One of these was J. Sheridan Le Fanu, whose 1872 tale Carmilla provided a template for many of Dracula’s best-remembered characters and motifs, including the occult doctor (Dr. Hesselius), and the lonely Gothic castle set in a barbarous region of Europe. Many of the proper names in Dracula, in fact, are direct allusions to Carmilla’s characters and settings: “Karnstein” became “Carfax,” “Reinfeldt” became “Renfield,” and so on.