Heading into the Summer of Love, Pastor John Rydgren was the crafty head of the TV, Radio and Film Department of the American Lutheran Church. The straight-looking Rydgren created a daily radio show called Silhouette in which he became the reassuring, resonant-voiced Hippy for God. Rydgren wrote, announced and programmed Silhouette, taking his musical and cultural cues from The Electric Prunes, Herb Alpert and the cover of Time (Is God Dead?), with a vocal delivery that was straight out of the school of breathy baritone radio seduction. New York's WABC-FM picked up Silhouette on a daily basis, but Rydgren and the American Lutheran Church aggressively syndicated the show beyond New York, and in that effort, they issued a double LP in 1967.
Tag Archives | sixties
This is the first chapter from Howard Bloom’s new book How I Accidentally Started the Sixties, about which Timothy Leary said,
“This is a monumental, epic, glorious literary achievement. Every page, every paragraph, every sentence sparkles with captivating metaphors, delightful verbal concoctions, alchemical insights, philosophic whimsy, absurd illogicals, scientific comedy routines, relentless, non-stop waves of hilarity. The comparisons to James Joyce are inevitable and undeniable. Finnegans Wake wanders through the rock ‘n roll sixties. Wow! Whew! Wild! Wonderful!”
(This stuff really happened. Several names have been changed to protect me from my attorney. However any lack of resemblance to actual people, living or dead, is solely due to the incompetence of the author.)
It feels a little funny to drag these stories from the depths of memory now that us baby boomers are all supposed to be picking out the patterns for our tombstones, counting our wrinkles, and trying to replicate the secret of Ronald Reagan’s perpetually dark hair.… Read the rest
The hippie movement which turned hundreds of thousands of youth towards the cult of peace & love in the West wasn’t absent on the other side of the Iron Curtain. The creative documentary takes us on a psychedelic road trip through time, exploring the traces of the hippie legacy in the Soviet Union – the dream which allowed the youth to feel free even under the repressive Soviet rule. The conflicting personal and social ‘truths’, the tension between the psychedelic and the ‘rationale’ are vividly revealed.