“This is a criminal age”
“This is a criminal age”
Abby Martin features an exclusive interview with Nivek Ogre, lead singer of the industrial music group Skinny Puppy, discussing the band’s reaction to their music being used to torture Guantanamo detainees, as well as their motivation to be politically confrontational, their passion for animal rights, and the need to speak out in time of universal deceit.… Read the rest
Two excerpts from Ilker Yücel’s interview of Nivek Ogre for ReGen Magazine:
Skinny Puppy has never shied away from political topics, and as the new album is called Weapon and seems to approach the angle that human beings are the weapons themselves now, what spurned the lyrical concept behind the album?
Ogre: The Oppenheimer quote brings up one of the many concepts that I wanted to try to bring across, which is that midway in the last century, I think we made a horrible mistake by splitting the atom in that way. I think Oppenheimer’s face when he makes that quote clearly shows how horrendous that decision was in his full knowledge of the Pandora’s Box that he opened. The idea for Weapon, although it might seem timely to people seeing it advertised as a new Skinny Puppy album, actually came into fruition during the tour in 2011.
YOU will be pleased to know … actually … let’s start at the beginning. All systems are a product of their histories. Events over time shape the state of OS and application software both for good and bad; while users make forward progress on productive work, bugs and malicious software may destabilize and corrupt their efforts. External events to a historical version of a virtual monitor ma-chine. Replay is intentionally non-deterministic, and may be parametrized as to modify the stream of events that are delivered. In the second, analysis stage, the engine pro-state as mutable through time has been the subject of many tools to assist with semantic comparisons between the resulting alternate states.
Now, a lot of people like to talk about “industrial musicK” like they know what they’re talking about. They only talk of machine drums, sequencers set on 16th-note patterns, barre cords, tedious vocal distortion and sound bites sampled from A Scanner Darkly.… Read the rest
In the last couple of weeks I learned that Karsh Kale, Tim Sköld, Ogre and HoodooEngine had released or were about to release new albums. I dig them all so I do what I do sent out the emails and made the phone calls. There were other musicians, labels and festivals I wanted to feature on the show as well but they didn’t happen due to availability and time constraints and before I knew it, this week’s show had been distilled into a gem of greatness.
I discovered Karsh Kale right about the same time I discovered the Asian Massive (or Asian Underground) scene. Over the years I watched the careers of Karsh Kale, Asian Dub Foundation and others grow over the years and it’s a wonder that I haven’t had someone like Karsh on the show earlier.