Movies and music are filled with sight and sound, but when will humanity master the expressive and exploratory power of the other senses? The Believer on an ill-fated pre-Surrealist attempt to transport a theater full of people to Japan via a series of perfumes projected by fan:
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In the fall of 1902, when he was around thirty-five years old, the papers announced that Mr. Sadakichi Hartmann, the eccentric art critic, would present a short performance entitled “A Trip to Japan in Sixteen Minutes.” The piece was described as a “melody in odors.”
The turn of the twentieth century saw a flurry of sense experimentation. The color organ was patented in 1895, an instrument with colored panels that lit up and changed in time to music. A few years later, one of the first electric organs, the Telharmonium, would have its debut in a specially built concert hall in New York.
The perfume concert was the featured event on a bill of a casual Sunday pop, held at the enormous entertainment complex known as the New York Theatre.