Tag Archives | Society

Kris Kuksi’s ‘False-Patriot Revolution’

Disinfo.com features this iconic work by an artist making some of the most influential and recognizable art of our time.

Kris Kuksi ‘False-Patriot Revolution’ was exhibited at the Mark Moore Gallery, Los Angeles

KRIS KUKSI – Antiquity in the Faux Nov 15 – Dec 20, 2014 | All photos by Kris Kuksi.

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Kris Kuksi’s ‘False-Patriot Revolution’

Kris Kuksi Interview with Disinformation

Disinfo: What can you tell us about the guillotine piece  ‘False-Patriot Revolution’?

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CCTV Looking Out For Them Not You

cctv advocates reading list
Essential reading for all CCTV advocates

How did the United Kingdom, a country that supposedly had such high regard for individual freedom, fall under the spell of an all pervasive surveillance state? To understand how the spell was cast and why it was effective, we need to look back to the 1990s when the CCTV camera gold rush began in earnest.

A key catalyst was the manufacture of consent — the government, assisted by its trusted media, went on a charm offensive to create support for CCTV cameras. Despite the fact that the technology was untested and therefore had no evidence in support of their claims, they promoted cameras as a magical solution to fix all of society’s ills.

Central government funding and the creation of the CCTV myth

In the 1990s, the central government invited local councils to bid for funding in a series of “competitions” called “City Challenge”. Shortly after the announcement of one such funding round in 1994, the Home Office published a guidance document entitled ‘CCTV – Looking out for you’ [1].… Read the rest

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Ring her bell – you’ll unleash hell!

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Via KC Star:

Missouri woman pleads guilty to assaulting doorbell pranksters.

SPRINGFIELD, Mo. – A Springfield woman could get a 10-year prison sentencing for threatening boys who rang her doorbell and ran away.

Prosecutors say 32-year-old Ashley Crossland pleaded guilty on Feb. 17 to burglary, assault and unlawful use of a weapon after becoming angry because of a January 2014 prank.

A probable cause statement says Crossland tried to run one boy down with her van and punched another three times while holding a knife to his chest.

The Springfield News-Leader reports she was also charged with going to the home where the boys were having a sleepover and illegally entering the home.

One of the boys reportedly told police that Crossland came out of her home and began yelling at them as they ran away after they rang her doorbell. The boy said that after he turned a corner, he saw a van “driving crazy.”

Probable cause documents said the van tried to run the boy over, and backed him up against a fence.

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Posthumanisms: A Carnapian Experiment

cyborg-girl-18875

Via Daryl Wennemann at IEET:

In his article, “What is the Difference between Posthumanism and Transhumanism?”, Kevin LaGrandeur sets out to clarify the meaning of the terms “posthuman”, “transhuman” and “posthumanism”. (http://ieet.org/index.php/IEET/more/lagrandeur20141226) He notes that the relative newness of the terminology is a source of confusion among many who employ these terms.

Carey Wolfe made the same observation in his study of 2010, What is Posthumanism?, noting that “the term has begun to emerge with different and sometimes competing meanings.” (p. xii) I would like to carry out a sort of philosophical experiment to disambiguate the meanings of the term “posthuman” in an attempt to dispel some of the confusion surrounding the use of this term.

LaGrandeur posits that the term “posthuman” has the sense of “that condition in which humans and intelligent technology are becoming increasingly intertwined.” He then refines its meaning as follows, “the posthuman is a projected state of humanity in which unlocking of the information patterns that those who believe in the posthuman say make us what we are—will shift the focus of humanness from our outward appearance to those information patterns.” Identifying the human will then depend upon the functioning of a being rather than its outward form.

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Philip K. Dick was right: we are becoming androids

stephane (CC BY 2.0)

stephane (CC BY 2.0)

Via Jesse Walker at Boing Boing:

In Do Androids Dream of Electric Sheep?, the Philip K. Dick novel that inspired the film Blade Runner, a bounty hunter pursues a group of androids who have been posing as human beings. He is eventually arrested and accused of being an android himself. The officers bring him to what turns out to be a counterfeit police station run entirely by androids, not all of whom are aware that they aren’t human.

“What do you do,” one of the robocops asks him, “roam around killing people and telling yourself they’re androids?”

It’s a complicated situation. But then, androids play a complicated role in Dick’s fiction. On the most obvious level, they represent the inhuman and the mechanical: People have empathy and will, while robots are rigid and soulless. It’s a familiar division in science fiction, though some storytellers prefer to put other monsters in the androids’ place.

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Google Becomes Ministry of Truth

Carlos Luna (CC BY 2.0)

Carlos Luna (CC BY 2.0)

There’s no way this can go horribly wrong, right?

Jon Rappoport via War is Crime:

“…if all records told the same tale — then the lie passed into history and became truth.” (George Orwell,1984)

The New Scientist has the stunning story (2/28/15, “Google wants to rank websites based on facts not links,” by Hal Hodson):

“The internet is stuffed with garbage. Anti-vaccination websites make the front page of Google, and fact-free ‘news’ stories spread like wildfire. Google has devised a fix — rank websites according to their truthfulness.”

Great idea, right? Sure it is.

The author of the article lets the cat out of the bag right away with his comment about “anti-vaccination” websites. These sites will obviously be shoved into obscurity by Google because they’re “garbage”…whereas “truthful” pro-vaccine sites will dominate top ranked pages on the search engine.

This is wonderful if you believe what the CDC tells you about vaccine safety and efficacy.

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SpaceX Launches Falcon 9 Carrying World’s First Ion Propelled Electric Satellites

(Photo : SpaceX) Electric satellites ABS 3A and Eutelsat 115 B West stacked on top of each other prior to launch.

(Photo : SpaceX) Electric satellites ABS 3A and Eutelsat 115 B West stacked on top of each other prior to launch.

Arthur Dominic Villasanta via China Topix:

The world’s first commercial satellites powered by xenon-ion electric engines were successfully orbited March 1.

A SpaceX Falcon 9 rocket launched two “electric satellites” equipped with revolutionary xenon-ion engines that turn gas into a propellant from the Cape Canaveral Air Force Station in Florida.

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The Matrix is Crashing

Still from The Matrix

Still from The Matrix.

Via Zen Gardner at Waking Times:

It is. It’s outdated programming and the engineers of deceit can’t keep up. The vibrational changes are exceeding their capabilities. You know how your phone or computer’s software goes out of date, and new programs can’t operate? It’s the same thing. The imitators of creation can’t maintain a current operating system any longer in the face of this Universal shift.

And it’s driving them nuts.

Just look at the desperation we’re witnessing. Crude military and police state maneuvers are only one aspect. The biggest clue is seeing the previously incremental and now hyperbolic use of monstrous lies that are becoming so transparent and unbelievable to just about anyone. Agreed, there are the entranced apathetics who swallow anything, but we’re witnessing a meltdown before our eyes.

If you can’t see it, look again.

You Want Proof?

First of all you’re in the wrong mindset if you’re looking only for data or left brained evidence, although it’s out there for those who can see.

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How Technicolor Changed Storytelling

Via Adrienne LaFrance at The Atlantic:

In the dawn of the age of cinema, adding color to black-and-white films was something like “putting lip rouge on Venus de Milo.” That is to say, it had the potential for disastrous, garish results. And that’s how the legendary director Albert Parker referred to the process of colorizing motion pictures in 1926, according to The New York Times that year.

Parker’s lipstick-on-the-Venus de Milo line wasn’t originally his—it was the same comparison famously used by silent film star Mary Pickford to lament the rise of talkies. As with sound, adding color to motion pictures represented a revolutionary shift in onscreen storytelling—and not everyone was convinced that change was worthwhile. Even those who were excited about color filmmaking felt trepidation.

“The color must never dominate the narrative,” Parker told the Times. “We have tried to get a sort of satin gloss on the scenes and have consistently avoided striving for prismatic effects… We realize that color is violent and for that reason we restrained it.”

Today, we’re accustomed to seeing color choices set the tone for a scene, a film—even an entire body of work.

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War Is the New Normal

Moyan Brenn (CC BY 2.0)

Moyan Brenn (CC BY 2.0)

Via William J. Astore at TomDispatch:

It was launched immediately after the 9/11 attacks, when I was still in the military, and almost immediately became known as the Global War on Terror, or GWOT.  Pentagon insiders called it “the long war,” an open-ended, perhaps unending, conflict against nations and terror networks mainly of a radical Islamist bent.  It saw the revival of counterinsurgency doctrine, buried in the aftermath of defeat in Vietnam, and a reinterpretation of that disaster as well.  Over the years, its chief characteristic became ever clearer: a “Groundhog Day” kind of repetition.  Just when you thought it was over (Iraq, Afghanistan), just after victory (of a sort) was declared, it began again.

Now, as we find ourselves enmeshed in Iraq War 3.0, what better way to memorialize the post-9/11 American way of war than through repetition. 

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