Tag Archives | Spirituality

Because there’s a convention for everything: Ouijacon 2015

You’ve been to the Renaissance Fair(e), Comic Con, assorted and sundry Fandom Conventions, the Psychic Festival (hey, nice Aura!), Bill Goodman’s Gun n’ Knife/Huntin’ n’ Killin’ Show, seen Hot Rods and Lowriders… even Bronies vs. Furries.

There’s nothing new under the sun, you say. You’ve seen it all. Been there, done that.

Not so fast, Smuggy Buggy!

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Yes Yes Yo and You Don’t Stop.

Welcome to the first spiritualist convention based around that Mysterious Occult Device which has a unique place in modern culture…and the games aisle at Toys R Us: The Ouija Board.

Fundamentalist Christians hate and fear it, skeptics sneer at it, horror movie producers have done it to death and Occultists, well, depends on who you talk to.

Love it or hate it, it’s here to stay it would seem and the much maligned Talking Board is about to celebrate a major milestone: the 125th anniversary of its creation, in the city where it all started, Baltimore, Maryland.… Read the rest

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Evade the Tentacles of the Illuminati and Manifest Your Victory with The Higherside Chat’s Greg Carlwood|midwest real

Via Midwest Real

On his popular show, The Higherside Chats, Greg Carlwood has sat down for podcasts with dozens of researchers, authors, and experts on a whole host of conspiracy, paranormal, and fringe-soaked topics.

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Selected subjects from our ramblings: why magic is real, transhumanism, meditation, manifesting success, celebrating the fact that humans don’t know shit, psychedelics, how to focus your passion properly and more  

One of the things that always sticks out in my mind when I speak with Greg (aside from just how weird, wonderful and, in some ways, severely fucked the world is) is just how much we trick ourselves into believing we don’t have the power to save ourselves from a mediocre existence. I do declare that no matter where you find yourself, it’s fully possible to take a 90 degree turn off of the the well-worn path. You, my friend, have the capacity to sharpen the stick on your freak flag, plunge it deep into the soil and craft something that is uniquely yours around it.… Read the rest

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Lori Nelson: Are You There, God? It’s Me, Monster.

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Are You There, God? It’s Me, Monster, 2015 Oil on wood with resin finish 20 x 20 in.

Credere Volo (I Want to Believe)

In my current series, Credere Volo (I Want to Believe), the imagery recalls the almost fetishistic religious works from the past of beautiful young children with rapturous gazes in the throes of fervent supplication.

This is the sort art that fascinated me as a Mormon child growing up in a religious -and somewhat artless- household. I would find the reproductions of devotional art and photography in the family Bible and other religious texts, and gaze into them, falling into them hard. Such beauties! These wonderful children were appealing to me for their purity while all the time also being shame-inducing because I knew I would never believe so fully and gorgeously.

Searching, I could not leave them alone. I would return to them over and over, pleasing my parents with an apparent interest in the Word.… Read the rest

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Chilean artist Cecilia Avendaño’s strange and evocative portraits

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Cecilia Avendaño Bobillier. Santiago, Chile 1980.

Cecilia Avendaño Bobillier graduated from University of Chile where she studied visual arts and photography. Cecilia began exhibiting her work in 2002, participating in numerous group exhibitions in Chile and abroad. She’s participated in outstanding one person shows including Sala Cero at Animal Gallery, National Museum of Fine Arts, as well as BAC! Festival in Barcelona’s MACBA, Museum of Contemporary Art at the University of Chile, Centro Cultural Borges in Buenos Aires Argentina. Her most recent work includes digital post production operations on photography where she composes images that become portraits, but operates with different concepts related to identity construction. She has been selected twice for the National Fund FONDART, plus obtaining the second place in the art contest “Artists of the XXI Century” organized by the Pontifical Catholic University of Chile and Banco Santander. She currently lives and works in Santiago, Chile.

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Portrait by Tomas Eyzaguirre

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EMERGE / CECILIA AVENDAÑO.Read the rest

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Undiscovered Outsider Artist Marian Spore Bush Goes To Auction

The works of Marian Spore Bush (1878-1946) will head to auction at Slotin Folk Art April 25 2015

at easel

Marian was the first female dentist in Bay City, MI. She left her practice and became a self-taught painter in NY in 1920 after the death of her mother. Marian became well-known using a special technique in which she used paint so thick that it seemed as much sculpture as painting. She claimed her large surrealistic works were inspired by long-dead artists who were communicating with her from “beyond the veil.” Her paintings seemed to forecast world events and conditions. In the early 1930s, she began to paint huge stark canvases in black and white, often depicting images of war. Edward Alden Jewell, art critic for the New York Times, said of her 1943 New York exhibition, “All the war paintings are symbolic in nature, if accepted as manifestations of psychic phenomena.” Bush even created an eerie example of this psychic phenomena with a painting entitled “New York City,” which depicts two airplanes and burning buildings amidst the skyscrapers of New York.Read the rest

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Mastering the Mind and Body Through Meditation, Jiu-Jitsu and Ayahuasca with Nicolas Gregoriades| the midwest real podcast

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Nic Gregoriades is a world-traveling, ayahuasca-drinking, elite Jiu-Jitsu black belt. He’s founder of the Jiu-Jitsu Brotherhood and co-host of The Journey Podcast.

Via Midwest Real

“Life is not a problem to be solved, it is a mystery to be lived” – Osho 

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What a mind-blasting reminder that is, “life is not a problem.” So many of our personal shortcomings, issues and anxieties stem from just such a mindset- living life as if it’s a series of problems to be solved. Over the centuries, we’ve questioned and tinkered with what life is and what it “means” so much that we’ve condemned ourselves to a poisonous abyss of paradigms, expectations and momentum.

Overcoming that conditioning isn’t about running off into the woods and becoming a Luddite. We can’t just climb out of the proverbial pandora’s box of knowledge, stimulation, passion and competition we’re immersed in. But, there’s a beautifully simple escape sitting right behind the eyeballs you’re using to stare at this screen.… Read the rest

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Darcílio Lima: Opus Magnum

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“Man develops within a circle of force (360 degrees): in this state (a sense of presence) he gathers a field of energy, of which three percent would simply enable him to be diurnally involved in a field of information.

Routine and unconsciousness will eliminate the whole field during this generation, creating division among men – privileged and defenseless. Aquarius and it’s magnificent paradise overwhelm us with their colors and images, neglecting what the planet Earth has suffered in recent times; both in relation to its cosmic reality, and the physical reality of the animal being.

No longer can one differentiate between rational and irrational, theory and practice.

Cybernetics will leave man with no option.

Technology has been able to hypnotize the whole planet with sensational tricks.

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Philip K. Dick was right: we are becoming androids

stephane (CC BY 2.0)

stephane (CC BY 2.0)

Via Jesse Walker at Boing Boing:

In Do Androids Dream of Electric Sheep?, the Philip K. Dick novel that inspired the film Blade Runner, a bounty hunter pursues a group of androids who have been posing as human beings. He is eventually arrested and accused of being an android himself. The officers bring him to what turns out to be a counterfeit police station run entirely by androids, not all of whom are aware that they aren’t human.

“What do you do,” one of the robocops asks him, “roam around killing people and telling yourself they’re androids?”

It’s a complicated situation. But then, androids play a complicated role in Dick’s fiction. On the most obvious level, they represent the inhuman and the mechanical: People have empathy and will, while robots are rigid and soulless. It’s a familiar division in science fiction, though some storytellers prefer to put other monsters in the androids’ place.

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Astrology could help take pressure off NHS doctors, claims Conservative MP

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Hartwig HKD (CC BY-ND 2.0)

 

Via The Guardian:

A Conservative MP has claimed that astrology could have “a role to play in healthcare”.

David Tredinnick said astrology, along with complementary medicine, could take pressure off NHS doctors, but acknowledged that any attempt to spend taxpayers’ money on consulting the stars would cause “a huge row”.

He criticised the BBC and TV scientist Professor Brian Cox for taking a “dismissive” approach to astrology, and accused opponents of being “racially prejudiced”.

The MP for Bosworth, in Leicestershire, who is a Capricorn and in 2010 paid back £755 he had claimed in expenses for software that used astrology to diagnose medical conditions, told Astrological Journal: “I do believe that astrology and complementary medicine would help take the huge pressure off doctors.

“Ninety per cent of pregnant French women use homeopathy. Astrology is a useful diagnostic tool enabling us to see strengths and weaknesses via the birth chart.

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Wolfgang Grasse (1930 – 2008) – Temporal Misift

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“Wolfgang Grasse is a temporal misfit, with artistic skills and attitudes that stand out, in our time, as a witch or an alchemist stands out… his work can be traced back to Bosch, Bruegel and Max Beckman.” — Art News

The world that Grasse created on his canvas is more than fantastic, it is magic. He was the wise-old magician. Through his paintings, he cast a spell on the viewer and in that perpetual moment of truth, revealed two thousand years of human degradations.

His painting possesses a haunting menace which appropriately reflect the moral and social values.

Wolfgang Grasse was born in Dresden, Germany, in 1930. After private artistic training first by his grandfather, Feidrich Grasse, and then later studying in Italy, he returned to a partitioned post-war East Germany. There he was imprisoned for his cartoons crtical of Soviet propaganda. He was sentenced to serve 25 years in prison.  After serving 8 years of this sentence, he was granted an amnesty and released.

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