Tag Archives | Stanley Kubrick

Ridley Scott Will Produce Arthur C. Clarke’s ‘3001: The Final Odyssey’ TV Miniseries

Fans of Stanley Kubrick’s classic movie adaption of Arthur C. Clarke’s 2001: A Space Odyssey may – or may not – be thrilled that a sequel is coming courtesy of Syfy and Ridley Scott’s Scott Free Productions. From Deadline.com:

Forty six years after the release of Stanley Kubrick’s groundbreaking 2001: A Space Odyssey, the final book in Arthur C. Clarke’s Odyssey series is getting a screen adaptation. Syfy has put in development 3001: The Final Odyssey, a miniseries based on the fourth and final Odyssey book. The deal comes on the heels of Syfy recently greenlighting a miniseries adaptation of another Clarke classic, Childhood’s End.

3001-syfy

3001, from Scott Free Prods. and Warner Horizon TV, is described as an epic story of a man lost in time and dark thematic meditations on the final fate of all Humankind, It begins with the discovery of Frank Poole’s frozen body, floating in space, and resolves the tale that started in 2001: A Space Odyssey

[continues at Deadline.com]

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Groening VS Kubrick

Simpsons Kubrick

Casting about for another spooky October post, this one didn’t take long.

The Simpsons annual “Treehouse of Horror” episodes have become an American Halloween television tradition given the show’s ridiculously long run and the intense creativity highlighted in these seasonal creep-fests. Often, the “Treehouse” episodes are among the best of a given season and if you’re wondering why the show is still on the air, a glance at their most recent tribute to Stanley Kubrick proves that the show continues to have relevance — and references — to spare.

Here’s the episode’s big scene courtesy of Vulture— it incorporates nearly the entirety of Kubrick’s weighty oeuvre. How many references can you catch?

I wonder what Rob Ager will have to say about this?

Stay Awake!

Please subscribe to my YouTube channel where I archive all of the videos I curate at Insomnia. Click here to check out more Cinema posts.… Read the rest

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The New Scientism

English: General Jack D. Ripper (Sterling Hayd...

It seems to be that science in general has donned a new mask not unlike the worn out mask of religious zealots. Call it dogma. Call it power trip. Call it vested interest in research money, or furthering a career. Call it stagnation. It seems to me, that some pop scientists and their sycophants would like to think they have a monopoly on truth. Either way, Robert Anton Wilson may have pegged it when he said:

The totally convinced and the totally stupid have too much in common for the resemblance to be accidental.
Disinfonauts and others, be prepared. For your favorite “conspiracy theory” may be trodden upon in this article. Remember… No scratching. No hair pulling. No eye gouging. No hitting boobs or below the belt.

via Jacobin (please follow the link to read the entire article):

We can value scientific inquiry without viewing the natural sciences as free of politics.

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Found: The Lost Ending To ‘The Shining’

Horror movie fans, you’ll want to check this out, courtesy of Slate:

Back on May 23, 1980, when The Shining was first released, audiences saw something slightly different from what viewers obsess over today. That’s because the next weekend Stanley Kubrick did an unusual thing: He re-cut the film, removing about two minutes from the ending, even though it was already in release. Those two minutes, like so much at the film’s ghoulish hotel, are now lost to time, unlikely to ever be seen again.

However, thanks to a Shining fan site run by Toy Story 3 director Lee Unkrich, Shining obsessives can now get closer than they have in decades to seeing the ending themselves. The site, which is called the Overlook Hotel (Unkrich is the “caretaker”), posted the screenplay for that long lost scene just after midnight last night. Unkrich vouches that the pages are real, and the site allows you to read them for yourself.

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Cosmic Symbolism in Olympic Ceremony: ‘The Opening of the Gate

Via MegaRitual:

Dr. Mark Gray and Hillary Raimo of MegaRitual have written a occult interpretation of the Olympics opening ceremony:

The opening ceremony of the Olympics was very symbolic. Although for those who lacked the eyes to see and understand it, it was a boring show compared to past opening ceremonies. This is typical of inducing & using the occult symbols within something like this. It’s there but it’s hidden. The baby that showed up in the stadium egg was the sun/son rebirth we’ve been talking about for weeks.  All after the ‘exorcism’ of the scary nightmares from the minds and imagination of the children…orphans being tended to by nurses and such…symbolic of the human species being abandoned by their ‘gods’ in the myths and stories of our ancient origins.

 

Read more at MegaRitual

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Samsung Claims That iPads Are Stolen From Kubrick

wholeIt’s fascinating to examine the point at which an element of science fiction actually comes true. Apple is in a legal struggle with Samsung to prevent it from selling tablet devices that resemble the iPad. Samsung’s defense: The iPad is in fact ripped off from a tablet design created by Stanley Kubrick for 1968’s 2001: A Space Odyssey. FOSS Patents writes:

Late last night, Samsung filed its opposition brief to Apple’s motion for a preliminary injunction in the United States.

One element of Samsung’s defense strategy is interesting enough that I wanted to report on it beforehand. Ever since Apple started to assert the design of the iPad against other manufacturers, many people have been wondering whether there’s actually prior art for the general design of the iPad in some futuristic devices shown in sci-fi movies and TV series. And indeed, Samsung’s lawyers make this claim now in their defense against Apple’s motion for a preliminary injunction.

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Polanski and Kubrick: Two Occult Tales

90sOccultMoviesJacques Vallee writes on BoingBoing:

In our age of rational science the occult has never been more in demand: Angels and demons are popular, the Da Vinci code and lost symbols fascinate audiences worldwide and Hollywood is eager to turn out more movies with a paranormal theme.

So why is it that so many of these stories seem flat, and fail to reach the level of insight into hidden structures of the world true esoteric adventures are supposed to promise?

Perhaps the answer has to do with the failure of gifted directors to come to grips with the enormity of the unknown issues of human destiny, or to pose the fundamental questions their esoteric subject would demand.

We go away charmed by artistic visions, dazzled by the pageantry of cardinals in red capes and titillated by women in black garters but the Illuminati only scare us because of the blood they spill, not the existential issues they should transcend.

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