Tag Archives | Storytelling
We often describe films or books as “formulaic”, but has anyone truly deduced the formula? Via Brain Pickings, William Wallace Cook wrote a novel per week and in 1928 created Plotto, a coded system of mechanized storytelling. Is the endless bounty of Law & Order Plotto’s modern incarnation?
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You are about write a story. How shall it begin? Perhaps there is a single conflict that needs to be resolved. Will my story have a happy ending or a sad ending? Perhaps the conflict has one of several distinct oppositions: man vs nature, man vs. technology, man vs. god or man vs. self.
In 1894, French critic Georges Polti recognized thirty-six possible plots, which included conflicts such as Supplication, Pursuit, Self-sacrifice, Adultery, Revolt, the Enigma, Abduction, and Disaster. In 1928, dime novelist William Wallace Cook, author of Plotto: The Master Book of All Plots, did him one better, cataloging every narrative he could think of through a method that bordered on madness.
There’s a lot of talk about transmedia lately. Haven’t heard it? Well, there has been. Trust us. And heaven knows there are a lot of transmedia evangelists out there. So I just want to talk over some of the possibilities presented by transmedia storytelling as a concept, without pretending that this is the final word on anything.
Most of us (er, them) are motivated by deep excitement. And of course, many corporations are also excited by it as a new way of perceiving the “life cycle of their brands,” and “customer engagement,” and other terms that sound really creepy in the “bad touch” kind of way. But we see all of the possibilities for new ways of engaging with content. Some of us see exciting creative possibilities and some see dollar signs. (I prefer to see both, when possible.)
Engagement. Right there, some people get lost. “You mean there is more than one way to engage with content?” Yes, there is. When you read a book, you’re engaging with that story in a very different way then when it is shown to you in a comic, and when you watch a movie.… Read the rest
Hong Kong, China – China has been cracking down on dissent of late, as the recent detainment of artist Ai Weiwei suggests. But the latest guidance on television programming from the State Administration of Radio Film and Television in China borders on the surreal – or, rather, an attack against the surreal. New guidelines issued on March 31 discourages plot lines that contain elements of "fantasy, time-travel, random compilations of mythical stories, bizarre plots, absurd techniques, even propagating feudal superstitions...