Tag Archives | Tusk

What Movies Are You Watching This Weekend?

Still from The Zero Theorem.

Still from The Zero Theorem.

Do any of you Disinfonauts have movie plans for the weekend? Two films I’ve been highly anticipating are opening tonight: The Zero Theorem by Terry Gilliam and Tusk by Kevin Smith. Though, I’m not sure if I’m going to be able to get to a theater in the next few days. I did, however, finally finish reading The Trial by Franz Kafka and am hoping to find some time to watch Orson Welles’ version on Netflix. Do you have anything you want to check off your Netflix queue? Or any recommendations for me to add to mine?

I did catch As Above, So Below a couple of weeks ago. I’m probably one of the only people left who still has hope for the found footage subgenre, but I usually end up disappointed. As Above, So Below’s storyline had a lot of potential as Paris’ catacombs are fascinating, and I was excited to see how the filmmakers would utilize them.… Read the rest

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Kevin Smith’s TUSK Memorabilia Giveaway

1940001_527693247359457_755596116126798391_nTusk is creepy, enthralling and infused with Kevin’s distinct sense of humor.

Disinfo is honored to be running a giveaway of Tusk goodies for Kevin Smith’s highly anticipated horror-comedy. Tusk recently premiered at the Toronto Film Festival to rave reviews. Personally, I’ve been looking forward to this one for a while now, which makes this giveaway even more exciting for me!

Plot

The idea for Tusk came about when Smith saw a hoax-ad for an apartment on Gumtree. The ad’s creator requested that potential lodgers must agree to wear a Walrus costume for 2 hours a day in exchange for free rent. Go here to see the advert in all its glory.

A rehash of the plot by Henry Barnes at The Guardian (who gave the film four out of five stars):

 Silly and sick, with very little blubber, Tusk, a comedy-horror about a man who is turned into a walrus, is the first great Kevin Smith film since Dogma.

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Jodorowsky’s Lost Film

Tusk1980 wasn’t a great year for Alejandro Jodorowsky. Having just barely survived the end of the 1970’s when the film that was to be his magnum opus — an adaptation of Frank Herbert’s classic Dune — fell apart for the final time, Jodo was anxious to get back to work. He agreed to make a children’s film.

At first, the idea of the anarchist auteur making a movie for kids might sound odd, but Tusk (Poo Lorn L’Elephant) told a tale about the shared fate of an English girl and an Indian elephant. The story had the kind of spiritual overtones that Jodo had marshaled so furiously in The Holy Mountain and the coming of age tale shared some similarities with El Topo — even the Indian locations promised exotic settings that surely inspired the director.

Alas, a classic it was not meant to be. Tusk is roundly criticized by those who’ve been able to see it — the only home release is an un-subtitled French language version on VHS.… Read the rest

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