Tag Archives | William S. Burroughs
During those five decades, Berman became a pioneering assemblage artist as well as one of the cornerstones of the post WWII California art scene. Berman became associated with the Beats and his self-published magazine Semina combined his own collage imagery with writing by luminaries like Michael McClure, Philip Lamantia, David Meltzer, Charles Bukowski, William S. Burroughs, Allen Ginsberg, Jean Cocteau. In addition to his groundbreaking, multimedia assemblages, Berman made the short film Aleph. The artist’s only experiment with moving pictures,Aleph reveals both Berman’s love of collage as well as his interest in the Kabbalah.
Here is what www.jewishmuseum.org has to say about the film:
Aleph is an artist’s meditation on life, death, mysticism, politics, and pop culture.… Read the rest
“Viruses are obligatory cellular parasites and are thus wholly dependant upon the integrity of the cellular systems they parasitize for their survival in an active state. It is something of a paradox that many viruses ultimately destroy the cells in which they are living…”
– from “Virus Adaptibility and Host Resistance” by G. Belyavin, as qouted by William S. Burroughs in The Electronic Revolution: Feedback from Watergate to the Garden of Eden
“What we are up against: liars with no honesty or integrity or decency, just plain bastards…”
– William S. Burroughs, from Last Words
William S. Burroughs’ post-mortem existence is predicated on the maintenance of his mediated body, and one of his current hosts is in need of restoration. Howard Brookner’s documentary, Burroughs: The Movie, originally released in 1985 by Giorno Poetry Systems, has been out of print for quite some time. Long available only at a collectors price, and in the original VHS, Brookner’s nephew, Aaron Brookner, has created a Kickstarter campaign to help fund the release of a digitally re-mastered version taken from an original archival print of the documentary:
… Read the rest
“Our aim is to remaster and re-release the first long feature documentary ever made about literary icon William S.
William S. Burroughs loved his cats. The outlaw author known for his unabashed avant-sexual space operas and hyper-spatial exploratory prose wasn’t one to apologize for his utter disgust over a society he saw crumbling under the iron claws of Control. However, behind the icy eyed visage of ‘El Hombre Invisible’ was a heart warmed with the gentle purrs of his coveted feline companions.
… Read the rest
As Yony Leyser, director of the critically acclaimed bio-pic Williams S. Burroughs: A Man Within, discusses in an article for Vice, understanding Burroughs’ cats is central to understanding the man behind the myth:
“Author William S. Burroughs made his love for all things feline known in his book The Cat Inside, in which he refers to cats as “psychic companions” and innate “enemies of the state.” In his final journal entry, written just before he died, Burroughs discusses love as the ultimate cure-all. I feature the quote in my documentary William S.
Letters of Note has reproduced a scathing letter from outlaw beat writer William S. Burroughs (Naked Lunch, Junkie, The Soft Machine, etc.) to Truman Capote upon the publication of his novel In Cold Blood:
I have read the recent exchange of genialities between Mr Kenneth Tynan and yourself. I feel that he was much too lenient. Your recent appearance before a senatorial committee on which occasion you spoke in favor of continuing the present police practice of extracting confessions by denying the accused the right of consulting consul prior to making a statement also came to my attention. In effect you were speaking in approval of standard police procedure: obtaining statements through brutality and duress, whereas an intelligent police force would rely on evidence rather than enforced confessions. You further cheapened yourself by reiterating the banal argument that echoes through letters to the editor whenever the issue of capital punishment is raised: “Why all this sympathy for the murderer and none for his innocent victims?”
This is perhaps the kindest part of the letter.… Read the rest
Remember the Reagan administration’s “This is your brain on drugs” ads? In response a photographer started a lifelong project of photographing all the living “psychedelic pioneers,” including Timothy Leary, Jerry Garcia, William S. Burroughs, and Ken Kesey.
“I thought, ‘You know, that’s such a load of horseshit … I’m going to dismantle that poisonous propaganda lie visually… I’m going to portray these people how they are.” He started with the man who invented LSD — Albert Hoffman — on its 50th anniversary in 1988, and at one point drove over 11,000 miles in just 7 weeks (including a 26-hour drive to drink beer with William S. Burroughs).
He’s interviewed by the former editor of High Frontiers magazine (“the official psychedelic magazine of the 1984 Summer Olympics.)”, and the article includes three of his best photos. (He’s exhibiting them this month in Los Angeles). But the strangest fact of all?
He started his career taking photographs for the annual report of Mobil Oil!… Read the rest
David Metcalfe writes on Modern Mythology:
… Read the rest
“If I were a betting man or woman, I would say that certain types of stories might be addictive and, neurobiologically speaking, not that different from taking a tiny hit of cocaine.”
—William Casebeer of the US Defense Advanced Research Projects Agency (DARPA)
Despite the fact that it’s readily apparent Mr. Casebeer has never tried cocaine, DARPA’s current interest in narratives is an interesting development at an agency known for unique scientific inquiries. On April 25 and 26th DARPA held a conference called Narrative Networks (N2): The Neurobiology of Narratives. The purpose of this conference was to follow up a Feburary 26th event which sought to outline a quantitative methodology for measuring the effect of storytelling on human action.
We owe much of the early development of the internet to DARPA, along with remote viewing, remote controlled moths, invisibility cloaks and other wonders of the contemporary age.
… Read the rest
“When you cut into the present, the future leaks out.” — Brion Gysin/W.S. Burroughs, Third Mind
“Mutate or Die” is a bioart project being conceived of and executed by Tony Allard and Adam Zaretsky. Bioart tends to use cutting edge biotechnology as an art making device and specializes in presenting living organisms as art. In this project, a DNA sample from William S. Burroughs will be isolated, amplified and shot into the nuclei of some cells.
What is the process?
1: Take a glob of William S. Burroughs’ preserved shit
2: Isolate the DNA with a kit
3: Make, many, many copies of the DNA we extract
4: Soak the DNA in gold dust
5: Load the DNA dust into a genegun (a modified air pistol)
6: Fire the DNA dust into a mix of fresh sperm, blood and shit
7: Call the genetically modified mix of blood, shit, and sperm a living bioart, a new media paint, a living cut-up literary device and/or a mutant sculpture.Of course the process is more involved and detailed than this.
… Read the rest
Klint Finley: What possessed you to undertake this process of creating a collage painting for every line of Bill’s original Dream Manual?
Michael Skrtic: The Dream Manual appeared first in 1984 or 1985 in a magazine called The Negentropy Express, which was an APA (an amateur press association) by the Society for Creative Thought. I was one of the founding members of the Society for Creative Thought and I was immediately taken with Bill’s original text and the original short little collage things that he did to accompany the text. It sort of followed me around since then. In the early 90s, I had just moved to Stockholm and I was looking for a project. I thought, ah, I know what I’ll do, I’ll colorize Bill’s original collages, so I blew them up and I colorized a couple of pages, and then I got involved with something else.