Joseph McVetty is an artist and illustrator living and working in Portland, Oregon. The masked participants of these drawings are acting out communal rituals involving new age occult signifiers such as crystals, chakras, energy fields, levitation, and conjuring. Each drawing aims to evoke the feelings associated with the cultish, drop-out supernaturalism, and homespun magic.
Tag Archives | WTF
Mu Pan, born 1976, lives in Brooklyn NY
My work is quite simply about telling stories; stories in actual history, stories in imaginative history, and stories about human nature. I strongly believe in humanity’s fundamental need for narrative in visual imagery. To tell my stories, I often utilize animal forms, anthropomorphic or otherwise, in an effort to show the viewer the folly of human beings and the boundless power of animals. I draw references from the histories of China, Japan, and the United States, all of which have had a huge influence on my upbringing. Having been born into a military family, I am fascinated by battle scenes. Many such scenes in my work point to the irrevocable mistakes humans have made in the past. I re-create the historical scenarios in my own interpretation, perhaps to lament what we can no longer make up for, or perhaps to imagine that justice can prevail, if only in my image.… Read the rest
I slept in.
I’m just now shuffling up all zombie-like to the bullet-proof glass window to slide my five “tip” thru the metal tray to Sammy in exchange for 137’s key and medallion. I’m still feeling the generic brand nighttime cough syrup that I’ve been abusing to put myself down at my prescribed 8pm bedtime. My head is fuzzy still.
I passed 137, my regular Prius, en route to the window and noted that her windows are all down. Bad omen. Are we talking vomit?
I’m done with the window and cordial niceties with Sammy, the new-ish office worker that Citizen’s Cab poached from Arrow. Sammy and I have finally gotten a groove on it seems. But he’s a little out of it this morning, complaining about some serious bruising due to a boating accident over unspecified body parts that he promises I do not want to see.
I awake to a drizzly San Francisco winter’s morning. Wait… It’s summer. And we’re in an historic drought.
Well, maybe the sprinkle will help… a little. On whatever rare occasion that the local news (incorrectly) predicts that we have rain coming, they inevitably go on to qualify how “it won’t be enough.” However, I did just catch on PBS’ The News Hour a show on Hetch Hetchy – the dam and reservoir system that brings San Francisco its water down from the Sierra Nevada. Hetch Hetchy is fed each spring by the melting snowpack from up around Tahoe, et al. Problem is this winter there was no snow.
But! The powers had been planning for several years now for a years-long drought. Consequently, they relayed that Hetch Hetchy is 70% full! Which said powers went on to qualify “is not enough”.
Well, we don’t have lawns and swimming pools here in San Francisco.… Read the rest
In yet another overreaction by education administrators, Connecticut teacher, David Olio, was fired for reading Allen Ginsberg’s “Please Master” to his AP English class. A student brought the poem into class and Olio “[hoped] to discuss in the waning moments of the period how the poet uses language in his work.”
Juan Thompson writes at the Intercept:
… Read the rest
The photo shows two white Chicago Police officers posing with an unidentified black man [above]. The officers — Timothy McDermott and Jerome Finnigan — are holding rifles as the black man lies on the floor with a dazed look on his face and with antlers on his head as if he were a prized, big buck finally hunted down.
Finnegan is smiling and grabbing the right antler, while McDermott is holding up the man’s head as if it were his trophy.
The photo was taken in a police station on the West Side of Chicago sometime between 1999 and 2003. The Chicago Police Department successfully kept it hidden from the public until a judge refused to keep it under seal and the Chicago Sun-Times pulled a copy from a court filing.
Finnigan is a notoriously dirty ex-cop who was a member of the police department’s elite Special Operations Section (SOS) until 2006, when he was charged with leading a gang of fellow officers who robbed suspects, illegally invaded homes and stole thousands of dollars in cash.
What else can you say about possibly the single most fucked up summertime confection ever?
Rithika Merchant (1986) deals with creating mosaics of myths that question received histories that are available to us throughout culture. An inherent feminism exists in her decoration undermining the minimalism of modernity that views a woman just as a muse.
In 2008 she graduated with a Bachelors in Fine Arts from Parsons the New School for Design in New York. She has studied painting and conceptual practice at the Hellenic International Studies In The Arts in Paros, Greece. In 2008 she was a resident at the Convento Sao Francisco Mertola in Mertola, Portugal.
At 1700 SE Forest Hill Drive sits a very strange piece of Oregonian weirdness: The Temple of Oculus Anubis.
At first glance the property seems like nothing more than a wealthy man’s folly — arcane statues, decorations alluding to the Egypt of antiquity and a mysterious shroud of apocryphal rumors and sinister conjecture. But a little digging leads the viewer to some strange places, indeed, namely the Heaven’s Gate suicide cult.
YUN-WOO CHOI: ENDLESS, SEAMLESS
May 2 – May 31, 2015
Gallery Hours: Wednesday – Saturday: 2pm – 7pm